Next: Can Zoey's Playlist be saved? Odds & Ends from Home Before Dark Season 2, Episode 4 Let’s hope there’s nothing too valuable in there! They take the black box and sneak out before Hilde’s stalker catches them, but he does find Hilde and Donnie’s backpacks while they hide from him. Hilde, Donnie, and Spoon sneak inside using the kitchen dumbwaiter and find airplane wreckage stowed inside. MORE: Home Before Dark Season 2, Episode 2 recap: Fighting His Ghost In short, they need to get into that basement. It’s the same symbol the kids spotted on the basement door in the Catherine Higgins house while attending Jessica’s birthday party. That WM symbol (seemingly standing for Wott Management) is inscribed into the cement outcropping outside Strata. Matt helps her develop the images in the basement-turned-dark-room and she notices something interesting about one photograph she managed to snap outside of Strata Technology. The episode is titled “Dark Rooms,” because Hilde breaks the lens on her camera and borrows her grandpa’s old-school film camera. It’s showing a kind of abusive relationship that we haven’t seen too often before but that kind of relationship also doesn’t end with one of the people literally becoming the other by the end.Jibrail Nantambu and Deric McCabe in “Home Before Dark,” are now streaming on Apple TV+.īut the trip does give Hilde one valuable clue. It isn’t as successful at making that turn as it would like to be, mainly because it’s difficult to reconcile the person Tara is during the first two-thirds, as opposed to the last act.Īnother part of this is that the ultimate twist with the tentacles muddies a bit the romantic metaphor that it’s attempting to make. It’s showcasing a different type of toxic love, one where the sex is so good that things inevitably get clouded and you don’t notice the kind of person your partner is until it’s too late. “Tentacles” flips that on its head by slowly showing us that Sam is the one in danger here, not Tara. We’ve been trained through this trope to believe that the fragile woman gets drawn into the man and only later discovers the ways in which he is untrustworthy or unstable as it goes along. Related Prey Review: A Step in the Right Direction The thing this does really well is that it lulls us into thinking that it’s a certain type of story before it pulls the rug from us. She meets Sam (played by Casey Deidrick, who some might recognize from In the Dark - he just really likes the dark) and they quickly fall into this passionate romance where they soon move in together. It follows Tara (played by Dana Drori), a woman living in vacant houses and off of some kind of illicit gains. First, and foremost, it does a good job at subverting the kind of story that you think you’re watching. That’s a bit unfair to “Tentacles,” though, because it does a lot more good than it does bad. What it features is unsettling and disturbing enough that it could certainly fit well into the genre but it seems tame, for whatever reason. It’s not necessarily poorly made in any way and it does flow fairly nicely together, along with being decently paced, but it ultimately feels like it doesn’t have any teeth to it. That’s how we know that Into the Dark Season 2 Episode 11, “Tentacles,” fails to land because the only real reaction we have after the fact comes down to more or less of a shrug. It usually hits at something so visceral and almost cathartic that it’s virtually impossible to not fall on one of those lines. There’s a general rule of thumb with psychosexual horrors, which is that you’ll be either be into it or you just won’t.
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